Wenngleich das posthume 3. Album nichts Neues mehr bringen wird, sollten wir nicht vergessen wie viel bittere Ehrlichkeit und wie viel persönlichen Schmerz Amy bereit war mit uns zu teilen. Die Tatsache wie die Öffentlichkeit mit ihrer Schwäche - der Sucht, umgegangen ist, bleibt beschämend.
MotorFM fasste das in einem Bericht kurz nach ihrem Tod am pietätvollsten zusammen: "Wohl keine Suchtkarriere der Popgeschichte wurde bis dato so medial ausgebreitet, wurde mit derart vielen furchtbar anzuschauenden Bildern und Videos gnadenlos und nahezu in Echtzeit dokumentiert. Das Leiden von Amy Winehouse war ein in weiten Teilen gierig begutachtetes und oft genug hämisch kommentiertes öffentliches Gut. Es war kein begleitender Umstand ihrer Karriere, sondern wurde als elementarer Bestandteil begriffen. Ihre Berühmtheit wuchs nicht trotz sondern wegen ihrer offensichtlichen Ohnmacht, ein weniger kaputtes Leben zu führen. Oder es wenigstens in den schlimmen Momenten den stets präsenten Scheinwerfern und Handykameras zu entziehen."
"The 12 track collection features previously unreleased tracks, alternate versions of existing classics as well as a couple of brand new Amy compositions, and has been compiled by long-time musical partners Salaam Remi and Mark Ronson in close association with Amy’s family, management and record label Island Records. “Lioness : Hidden Treasures” proves a fitting tribute to the artist, the talent and the woman and serves as a reminder of Amy’s extraordinary powers as a songwriter, a singer and an interpreter of classics.", heißt es auf Amys offizieller Bandpage.
TRACKLISTING
“Our Day Will Come (Reggae Version)” – reggae re-working of classic 60’s doo wop song produced by Salaam Remi. Recorded May 2002.
“Between The Cheats” – new Amy composition recorded in London in May 2008 for potential inclusion on album three produced by Salaam Remi.
“Tears Dry” – originally written by Amy as a ballad, this is the original version she recorded in November 2005 in Miami with Salaam. The later uptempo version appears on “Back To Black”.
“Wake Up Alone” – the first song recorded for the “Back To Black” sessions. This is the one-take demo recorded in March 2006 by Paul O’Duffy.
“Will You Still Love Me Tomorrow” – Amy’s beautiful reading of the Carole King written Shirelles classic. Produced by Mark Ronson and featuring the Dap Kings with string arrangements by Chris Elliott who did all the strings for Mark’s tracks on “Back To Black”. Recorded in September 2004.
“Valerie” - one of Amy’s jukebox favourites. This is the original slower tempo version of the Mark Ronson produced post “Back To Black” single. Recorded in December 2006.
“Like Smoke” featuring NAS – Amy and Nas became really good friends after Amy name checked the New York rapper on “Back To Black’s” “Me & Mr Jones”. “Like Smoke” is finally Amy doing a song with one of her favourite artists. Produced by Salaam Remi. Recorded in May 2008.
“The Girl From Ipanema” – the first song the 18 year old Amy sang when she first went to Miami to record with Salaam. Salaam remarked that “the way she re-interpreted this bossa nova classic made me realise that I was dealing with a very special talent. Her approach to the song was so young and fresh, it really inspired the rest of our sessions.” Recorded in May 2002.
“Halftime” - Amy had talked to Ahmir ‘Questlove’ Thompson of the Roots about working together. “Halftime” is a song that Amy and Salaam had worked on since the Frank sessions. The result is beautiful. Recorded in August 2002.
“Best Friends” – “Frank” era live set opener produced by Salaam Remi. Probably the first song that early Amy fans would have heard live. Recorded in February 2003.
“Body & Soul” with Tony Bennett - cover of 30’s jazz standard with hero Tony Bennett. Recorded at Abbey Road Studios London in March 2011 and produced by Phil Ramone. Amy’s final studio recording.
“A Song For You” - heartbreaking and emotional version of the Leon Russell classic made famous by Donny Hathaway. Hathaway was Amy’s all-time favourite artist and the song was recorded in one take, just Amy and her guitar, at her home in London during the spring of 2009 as she battled her demons. Produced by Salaam Remi.
Keine Kommentare:
Kommentar veröffentlichen